There are six workspace presets that ship with the software – plus, as you can see from the screen shot, you can create your own, as I did with “Larry’s Audio Edit.” Creating a workspace is as easy as dragging a tab from one place to another and saving the results. Think of a workspace as a grouping of tabs that all relate to a specific task – such as editing audio, mixing to picture, or mastering an audio CD. (You can access them via the Windows menu.)īecause there are so many tab options, Audition combines these into different workspaces.
Audition is a single-window interface that is composed of multiple tabs – more than 20, in fact, with many of them initially hidden. Other applications are better suited if you are creating music using sampling and keyboards. Long a staple in radio broadcasting, Audition resembles its cousins ProTools and Soundtrack Pro, in that it is an audio editing, repair, and mixing application.Īudition is perfect when you are working with microphones, which constitutes almost all of video production. Now that I’m using Audition every day, I wanted to share my thoughts on the software.Īdobe Audition has been on Windows for many years, but came to the Mac with the CS5.5 release.
#Control surface for adobe audition full
I started dabbling with Audition about five months ago, and switched to it full time starting late March.
With the demise of Apple’s Soundtrack Pro – and the requisite mourning – I needed to find a new audio workhorse for my weekly podcast and video training. NOTE: I just wrote a new article covering trimming in Audition CS6. Providing a first look to a package as complex and full-featured as Adobe Audition CS6 is a lot like doing a first look at Premiere Pro CS6 – there’s a lot of the program that you just can’t cover in anything shorter than a book.